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"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, first heard on his 1965 LP, ''Manteca!'', Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years,〔('Cal Tjader Plays the Contemporary Music of Mexico and Brasil' Overview ). All Music. Retriieved 2013-02-04. See also: *("Special Merit Albums" ). ''Billboard''. November 24, 1962. *(Shearing Bossa Nova overview ). All Music. Retrieved 2013-02-04. *("Recent Stereo Releases for Music Operators" ). ''Billboard''. November 16, 1963.〕 would provide fertile ground for Fischer's musical explorations over the next half-century. ==Form== "Morning" was Fischer's first - and, to this day, his most famous - contribution to the then recently evolved cha-cha-chá genre. Its structure is the standard A-A-B-A, 32 measures in length. In practice, however, the song's debut recording does take one significant detour, paying unashamed homage to one of its composer's primary musical influences in the process, when, halfway through trombonist Gil Falco's solo, instead of proceeding to the bridge, "Morning" morphs into a 16-bar development of the principal 2-measure motif of "Spring Rounds," the fourth section from Stravinsky's ''The Rite of Spring''.〔Hardy, John William. "Liner notes for 'Manteca'". Pacific Jazz. November 1965.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Morning (Clare Fischer composition)」の詳細全文を読む スポンサード リンク
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